Singer-songwriter and producer supreme Shura has been attracting critical adoration since releasing a smattering of singles in 2014, neatly packaged and remixed by the likes of Jungle and Warpaint in the White Noise EP which dropped last July.

Touch was omitted from that collection, receiving its own makeover this year, with Talib Kweli adding some rather underwhelming verses.  

Shura herself featured in Mura Masa’s acclaimed Love For That, and her debut album pays homage to this incredibly diverse A-List of collaborators whilst retaining her own eccentric methodology.

New material is slightly thin on the ground, although this can be attributed to Shura’s “quality over quantity” policy, wisely choosing to mix in a select few alongside her outstanding previous work.

Nothing’s Real’s Chemical Brothers-esque opening ushers in a euphoric, bouncing number that radiates charm. With a captivating chorus, Nothing’s Real is a smart choice for 2nd song, and welcomingly contrasts with Shura’s typical wistfulness.   

Kids ‘N’ Stuff exemplifies this style. A gentle daydream of a song, it floats and lulls, serene with strong undercurrents of longing. The gradually intensifying outro smoothly transitions into Touch, the opening line – “Drinking whisky from a plastic cup” – repeatable as ever, two years on.

What Happened To Us? Reflects on a past relationship, and the perils of artificially assessing; recalling the good and dismissing the bad.

“I’m no child but I don’t feel grown up” she admits, unafraid to critique her own flaws.

Growing up is a theme explored with rich nostalgia throughout the album, with fragments of her childhood embedded between songs; chatting with her twin brother; being reprimanded by her mother; the past still resonating in the present.

Nothing’s Real is a stunning debut, with the arguably overabundant past material simply reinforcing Shura’s distinct talents. When read as a cumulative exhibition, the scale and scope is staggering. Introspective and sentimental, this is an album to be savoured. 

 


More News

The Celebration and Sadness of Freetown Sound

By David Amato 8 years ago

Freetown Sound, the third studio album released under Dev Hynes' act Blood Orange, is being hailed as an "album of the times," which is to say an album of pathos. "It's what's going on. What else could I do?" asked Hynes in a June Apple Beats 1 interview, on the morning of the... Read More


Weird Lines Release Self-Titled Debut Album

By Danielle Burton 8 years ago

Weird Lines is a new project from Canadian indie queen Julie Doiron, CL McLaughlin, and Jon McKiel along with their fellow Maritime friends and musicians James Anderson, Michael C. Duguay and Chris Meaney. Based out of Sackville, New Brunswick, the group blends 50s doo-wop with 90s... Read More


Why a former emo-punk band and a synth-pop group now have the same sound

By Christian Paz 8 years ago

I’ve always been fascinated at how musical trends develop and evolve. Sometimes a geographical region breeds a certain type of sound. Other times, an influential artist inspires other acts to emulate them. In any case, I want to explore this phenomenon by looking at an interesting example... Read More


REVIEW: “U” by Tourist

By Glenn Houlihan 9 years ago

London based electronic producer and songwriter William Phillips AKA Tourist released his debut album in May, and it’s an absolute beauty. Following a trio of EPs, U marks a distinct turn in the producer’s career; one unduly defined by the success of others. Stepping back from... Read More


The Meadows Music & Arts Festival Announces Inaugural Line-up

By Jorge 9 years ago

Anyone living in the New York City area has to be extremely happy with 2016 so far, with the creation of not one, but two new music festivals. Earlier this year, Goldenvoice (the organizers of Coachella) announced that they’d be trying their hand in the East Coast with the Panorama Festival in... Read More